In 1975, founding Yes member and bassist Chris Squire released his debut solo album, Fish Out of Water. One listen to this album and you release the importance and influence that Squire has as one of the principle songwriters of Yes. Normally his vocals are graced in harmony with Jon Anderson that blend into a unique union of abstract lyrics. Hearing Chris singing on his own is a special treat and allows the listener to easily pick out his vocal spots with Yes.
Accompanying Chris on this album are former Yes drummer, Bill Bruford, and Yes keyboardist, Patrick Moraz. Bruford left Yes in 1972, shortly after completing the Close to the Edge album, to begin an on and off again career with King Crimson. Bruford’s unique style of odd-timing jazz/rock drumming is the perfect fit with Squire’s prominent bass riffs. Try air drumming to this album and as is usually the case with any tune Bruford is on you’ll never get the beat right. Bruford is the master of making a difficult beat sound easy.
Also on hand to lend to the jazz/rock fusion of this classic Progressive Rock album is Patrick Moraz. Moraz joined Yes for only one album, Relayer, and tour in 1974/1975. Between Moraz’s keyboard solos and Squire’s bass you won’t even miss the lack of guitars on this album. The trio of Squire/Bruford/Moraz reviled anything Emerson, Lake and Palmer ever did and they did it with feeling that was often lost in the complexity of ELP.
Opening the album is a duo of songs “Hold Out Your Hand” and “You By My Side” that are the perfect way to ease ones self into this musical journey. Almost radio friendly but lacking any cheesiness. At times “You by My Side” has a classic Crosby, Stills & Nash feel to it.
The heavy progressive rock kicks in with the third song, and back in the days of vinyl the last track on side one, “Silently Falling”. The intro starts off with a mild orchestral arrangement and then builds into an epic prog rock anthem complete with a haunting vocal line to finish the song. It’s one of those tunes that make you wonder what could I possibly play next that will sound this good? Well leave that to Chris Squire because he delivers with two more songs that rival any Yes material.
Opening side two, or track five on your CD, is “Lucky Seven”. Striking out on his own for a solo album may have been seen as a gamble but it sure paid off. Not commercially, but it is certainly a winner musically. If you’ve ever wondered what Yes would sound like a with a sax player, this is the song to answer that question. And we are not talking 80’s sax playing by some guy with a bad permed mullet. This is some very tasty sax work that blends nicely with the trio of Squire/Bruford/Moraz. Remember there is no guitar on this album but you would never miss it.
Closing down the album is another epic with the build up ending that never seems to end. But that’s okay because you don’t want it to. Just when you think the song is coming to a close Squire turns the corner and takes you down another path and another false end. Finally the album ends with the sole Squire bass notes sounding like a whale that is mournful the album has come to an end.
Any fan of Yes, Genesis, Progressive, and Psychedelic rock should own this album. It will take you on a satisfying musical journey from start to finish and leave you wanting more. The only downfall to this record is that it clocks in at a mere 33 minutes and 41 seconds. You will definitely be left scratching your head and wondering what to play next. Just give “Fish Out of Water” another spin and problem solved.
Highly recommended for altered states of consciousness!